Кино және медиадағы жасанды интеллект (ЖИ) реперзентациясы
DOI:
https://doi.org/10.26577/HJ.2023.v70.i4.10Кілттік сөздер:
медиа, кино, теле-бағдарламалар, киноөндіріс, жасанды интеллектАннотация
Эта статья рассматривает актуальность искусственного интеллекта в сфере кино и медиа. Ее основной задачей является выявление разнообразных функций, которые искусственный интеллект выполняет в современных медиа и киноиндустриях, а также выявление его уникальных особенностей. Таким образом, внимание общества сегодня переключается на исследование компьютерной науки как области, способной конкурировать с креативными профессиями.
Цель этого исследования заключается в изучении скорости и возможностей развития искусственного интеллекта, и в оценке того, насколько творчество и искусственный интеллект могут взаимодействовать в научных исследованиях. В этом контексте был проведен анализ работ ученых, занимающихся искусственным интеллектом в кино и медиа.
В настоящее время проблема искусственного интеллекта вызывает интерес не только у специалистов в области компьютерных наук, но и у представителей искусства, литературы, журналистики, культуры и гуманитарных наук. Это происходит потому, что искусственный интеллект, превосходящий человека в некоторых технических аспектах, может принести огромную пользу обществу. Тем не менее, несмотря на это, возникает озабоченность по поводу того, что в будущем искусственный интеллект может угрожать рабочим местам в сфере телевидения и кино.
Идея этого исследования заключается в том, чтобы детально рассмотреть тему искусственного интеллекта, выявив его преимущества и недостатки и выявив связь этой темы с другими областями. Это поможет понять, как искусственный интеллект способствует развитию и продвижению работ в сфере телевидения и кино. В результате анализа становится ясным, что некоторые роли, такие как журналисты, режиссеры и актеры, могут быть в будущем заменены техническими решениями.
Искусственный интеллект активно развивается в различных сферах, формируя свою собственную идентичность и влияние на мир. Это происходит в ответ на требования времени, и эта тенденция укрепляется в обществе, способствуя продвижению информационных технологий и киноиндустрии.
Библиографиялық сілтемелер
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Referenses
Bartneck C., “Robots in the theatre and the media,” in Design & Semantics of Form & Movement (DeSForM), Wuxi, China, 2013, pp. 64–70.
Coeckelbergh M., “Technology and the good society: A polemical essay on social ontology, political principles, and responsibility for technology,” Technology in Society, vol. 52, pp. 4–9, Feb. 2018.
Deacon D. and Stanyer J., “Mediatization: key concept or conceptual bandwagon?” Media, Culture & Society, vol. 36, no. 7, pp. 1032–1044, Aug. 2014.
Dirican C., “The impacts of robotics, artificial intelligence on business and economics,” Procedia - Social and Behavioral Sciences, vol. 195, pp. 564–573, Jul. 2015
Dong C., Loy C. C., He K. and Tang X., Image SuperResolution Using Deep Convolutional Networks, in IEEE Transactions on Pattern Analysis and Machine Intelligence, vol. 38, no. 2, pp. 295-307, Feb. 1, 2016
Dong D., Li B., The development and application of age-defying visual effects technology in The Irishman [J]. Modern Film Technology, 2021(6) pp. 18-24.
Epstein S. L., “Wanted: Collaborative intelligence,” Artificial Intelligence, vol. 221, pp. 36–45, Apr. 2015.
Falasca K., “Political news journalism: Mediatization across three news reporting contexts,” European Journal of Communication, vol. 29, no. 5, pp. 583–597, Jul. 2014.
Fotopoulou A., “Digital and networked by default? women’s organisations and the social imaginary of networked feminism,” New Media & Society, vol. 18, no. 6, pp. 989–1005, Sep. 2014.
Frohlick A., Artificial Intelligence and Contemporary Film Production: A Preliminary Survey. (2022) Available at: https://www.researchgate.net/publication/342978310_Artificial_Intelligence_and_Contemporary_Film_Production_A_Preliminary_Survey
Graham B., How Al is Revolutionising the Film Industry - and What it Means for the Future. Raindance. (2022) Available at: https://raindance.org/how-ai-is-revolutionising-the-film-industry-and-what-it-means-for-the-future/
Hall S., Representation : cultural representations and signifying practices., ser. Culture, media, and identities. London ; Thousand Oaks, Calif. : Sage in association with the Open University, 1997., pp. 78.
Hemer O., Fiction and truth in transition: writning the present past in South Africa and Agentina, ser. Freiburg studies in social antropology: Band 34. Wien : LIT, 2012. 520 p
Hepp A., Hjarvard S., and Lundby K., “Mediatization: theorizing the interplay between media, culture and society,” Media, Culture & Society, vol. 37, no. 2, pp. 314–324, Feb. 2015.
Holder C., Khurana V., Harrison F., and Jacobs L., “Robotics and law: Key legal and regulatory implications of the robotics age (part i of II),” Computer Law & Security Review, vol. 32, no. 3, pp. 383–402, Jun. 2016.
Holder C., Khurana V., Hook J., Bacon G., and Day R., “Robotics and law: Key legal and regulatory implications of the robotics age (part II of II),” Computer Law & Security Review, vol. 32, no. 4, pp. 557–576, Aug. 2016.
How Artificial Intelligence Is Used in the Film Industry. CARRE4. (2020) Available at: https://medium.com/carre4/how-artificial-intelligence-is-used-in-the-film-industry-eeaf91d4165a
How is Al automating the film industry? (2023) Available at: https://www.educative.io/answers/how-is-ai-automating-the-film-industry
Kammer A., “The mediatization of journalism,” MedieKultur: Journal of media and communication research, vol. 29, no. 54, p. 18, Jun. 2013
MacDorman K. F. and Ishiguro H., “The uncanny advantage of using androids in cognitive and social science research,” Interaction Studies, vol. 7, no. 3, pp. 297–337, Nov. 2006.
Mara M. and Appel M., “Science fiction reduces the eeriness of android robots: A field experiment,” Computers in Human Behavior, vol. 48, pp. 156–162, Jul. 2015.
Olah C., Understanding lstm networks. (2015) Available at: https://colah.github.io/posts/2015-08-Understanding-LSTMs/
Olsher D. J., “New artificial intelligence tools for deep conflict resolution and humanitarian response,” Procedia Engineering, vol. 107, pp. 282– 292, 2015
Potter W. J., “Conceptualizing mass media effect,” Journal of Communication, vol. 61, no. 5, pp. 896–915, Oct. 2011.
Rumpala Y., “Artificial intelligences and political organization: An exploration based on the science fiction work of iain m. banks,” Technology in Society, vol. 34, no. 1, pp. 23–32, Feb. 2012
Schech S., Companion to Development Studies. Hoboken : Taylor and Francis, 2014, ch. Culture and development, pp. 42–46
Shkurny A., How Artificial intelligence tools change movies production-Filmustage Blog. (2022) Available at: https://filmustage.com/blog/how-artificial-intelligence-tools-change-movies-production/
Trends M., Making the Impossible Possible in Film Production with Al. Analytics Insight. (2022) Available at: https://www.analyticsinsight.net/making-the-impossible-possible-in-film -production-with-ai/
Young K. L. and Carpenter C., “Does science fiction affect political fact? yes and no: A survey experiment on “killer robots”,” International Studies Quarterly, vol. 62, no. 3, pp. 562–576, Aug. 2018.
